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- Adhyatma Ramayana (Sanskrit Text with Transliteration, English Commentary Alongwith Explanatory Notes, Relevant Appendices etc.) (In Two Volumes)
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- An Introduction to Indian Philosophy
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- Arthaveda Ka Subodh Bhashya (Part Second - Kanda: 4 to 6): Sanskrit Text and Hindi Translation
- Arthaveda Ka Subodh Bhashya (Part Third - Kanda: 7 to 10): Sanskrit Text and Hindi Translation
- Dharmakosa - Rajanitikanda (Sanskrit Only in Six Volumes): The Most Voluminous Encyclopedia on the Ideals of Indian Politics
- Discovery of Truth Immortality
- Discover Vedic Mathematics
- Divine Messengers of Our Time The Doctrine of Recognition (Pratyabhijna Philosophy): A Rare Book
- Ganesa (Ganesha) In Medieval Nepal
- Glimpses of a Golden Childhood: The Rebellious Childhood of a Great Enlightened One
- God Word Volume II - Sri Ganapati Sachchidananda Swamiji
- God Word Volume III - Sri Ganapati Sachchidananda Swamiji
- Great Saints of South India
- Guru Arjan Dev
- Kalpa-Vedanga: Origin And Development
- Kathakali The Sacred Dance Drama of Malabar
- Kishkindhaa-Kaanda (Descent Four) Shree Raamachari...
- Sachitra Arati Sangraha (Text in Roman): Illustrated Throughout in Color
- Samaveda: (Sanskrit Text and Hindi Translation)
- Seven Hundred Sayings of Sachchidananda
- Shiva and Shakti in Indian Mythology
- Shiva Shakti Aaraadhanaa (Worship of Shiva and Shakti): With Roman Transliteration
- Shree Hanumaana Baahuka (With Aaratee, Sankatamochana Hanumaanaashtaka and Bajaranga Baana): Original Text, Transliteration and Translation
- Shree Satyanaaraayana Vrat Kathaa (In English & Hindi)
- Sister Nivedita A Passion for India - La Hermana Nivedita, Una pasión por la India
- Sivastotravali of Utpaladeva
- Sri Bhagavatarka Marici-Mala (A Garland of Rays from the Sunlike Srimad Bhagavatam): Transliterated Text with English Translation
- Sri Ganapati Sachchidananda Swamiji – A Glimpse (With Audio CD)
- Sri Tantralokah (Volume Three): Sanskrit Text
- Srimad Bhagavatam – Sarartha Darsini Commentary by...
- Srimannarayaneeyam with English Version of Bhaktarnjini Malayalam Commentary (In Three Volumes)
- Srimad Valmiki-Ramayana (With Sanskrit Text and English Translation) (Two Volumes)
- Studies in Indian Sculpture (Regional Genres and I...
- Sundara-Kaanda (Original Text, its Romanization En...
- Super Science of Yoga
- Teaching Tradition of Advaita Vedanta
- Temples of Trssoor District (Kerala): A Rare Book
- Temples of Palakkad District (A Big Book)
- The Early Cultural Relations of India and Iran
- The Eighty-Four Hymns of Hita Harivamsa – An Editi...
- The Goddess of Prosperity - Lakshmi
- The Himalayas and The Himalayans: A Rare Book
- The Holy Cow and Other Indian Stories
- The Krsnagiti of Manaveda (Sanskrit Text with English Translation): A Rare Book
- The Logic of Spirituality (With DVD)
- The Mandukya Upanisad And The Agama Sastra: An Investigation Into the Meaning of The Vedanta
- The Naradasmrti
- The Painted Towns of Shekhawati
- The Philosophy of the Vedanta and the Vedantasara
- The Puspasutra – A Pratisakhya of the Samaveda (In Two Volumes): Sanskrit Text with English Translation
- The Ramayana
- The Ramayana of Tulsidas (Text with English Translation in Verse)
- The Splendour of the Supreme Mother: Devi Bhagavatam (A Compact Condensed Prose Narrative)
- The Srimad Devi Bhagavatam 2 parts (bd.in 1)
- Sufi Thought of Shaikh Sayyid ‘Abdul Qadir Jilani and its Impact on the Indian Subcontinent
- The Taittiriya Upanishad: With the Commentaries of Sri Sankaracarya, Sri Suresvaracarya and Sri Vidyaranya
- The Temple Architecture of India
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- Vedanga Literature (Auxiliary to the Vedas)
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Escritores Vaishnavas, Hindues, Religión, Historia, Arte, Arquitectura
- G.P. Deshpande G.P. Deshpande
- Dr. N.A. Deshpande
- Shanta Deshpande
- Mrs. Indu C. Deshpande
- G.T. Deshpande
- Dr. Subhash Ranade & Dr. Rajendra Deshpande
- Prof. Dr. Subhash Ranade & Prof. Dr. Rajendra Deshpande
- Arvind Gupta IllustratorAvinash Deshpande
- C. R. Deshpande
- Madhav M. Deshpande
- SHARAD DESHPANDE
- Prof. Dr. Subhash Ranade,
- Dr. Rajendra Deshpande &
- Dr. Rajkumar B. Bobade
Foreign Languages (37) - exoticindia.es
ARTÍCULOS Y ANEXO
- Goddess Durga
- The Three Bodies: Going Beyond Them
- What is Puja? The Philosophical Foundations of Wor...
- Who is a Guru? The Traditional, Scriptural View
- Anexo 1
- Anexo 2
- Anexo 3
- Parvati with Ganesha in Her Lap
- Descent of Lord Shiva and Family from Kailash
- The Holy Family
- Her Divine Aura Pervades the Cosmos in Entirety
World Heritage Series- Ellora
por P.R. SrinivasanPaperback (Edición: 2007)
Archaeological Survey of India
Tamaño: 9.2 inch X 4.6 inch
Páginas: 96 (Illustrated Throughout In B/W & Colour)
Precio: Euro 12.58
This guidebook is part of the World Heritage Series published by the Archaeological Survey of India.
Representing the three major religions of India, the ancient caves of Ellora are, in scale and detail, a breathtaking example of rock-cut architecture that stand testimony to the imagination and artistry of its creators. Located about 29 kms to the north-west of Aurangabad and about 100 kms from Ajanta, Ellora lies on an ancient trade route or the dakshinapatha, and thus has always remained in the public eye.
The Buddhist Caves differ from the Ajanta caves in their subject, arrangement and details. The Visvakarma cave (No.10), famous for its elaborate façade, is one of the finest examples of a Chaitya temple.
Among the Brahmanical Caves, one is overwhelmed by the magnificent proportion and stupendous workmanship of the Kailasa (Cave 16), regarded as one of the greatest monolithic sculptures in the world.
Of the five Jaina caves, the Indra Sabha and Jagannath Sabha stand out as imposing and intricately carved.
The caves, declared a Unesco World Heritage site in 1983, are of abiding interest both to the tourist and the connoisseur of architecture and sculpture.
Qutb Minar & adjoining monuments Humayun's Tomb & Adjacent monuments
B R Mani, Arundhati Banerji, Hoshiar Singh of ASI, New Delhi K. Veerabhadra Rao, R. Krishnaiah of Aurangabad circle, ASI.
Good Earth Publications Team
Edited by: Swati Mitra, Anupriya Roy designed by: Deepankar Bhattacharyya
The rock-cut shrines of Ellora in Maharashtra are magnificent artistic creations, carved between the fifth and the thirteenth century. These caves with diverse details and minute carvings, representing three different faiths, Buddhist, Brahmanical and Jaina, are superb examples of Indian art. The Buddhist caves which ae profusely ornamented, carved on a large-scale, differ from the Ajanta Caves in their arrangements, subjects and details. Buddha is always shown here with six, eight or ten Bodhisattvas. The Visvakarma cave (No.10) is the great Chitya Temple, famous for its fine façade and large open courtyard, surrounded by a corridor. Among the Brahmanical Caves, Kailasa (Cave 16) is remarkable for striking proportion, elaborate workmanship, architectural content besides rich sculptural ornamentation. It is by far the most elaborate and extensive rock-temple. Of the five Jaina Caves, Indra and Jagannath Sabhas are massive, rich and extensive in execution.
Despite the abundant architectural and artistic wealth of Ellora, it is not possible to precisely date the history of the region, not is it easy to assign monuments, except a few, to any particular century. This is primarily due to lack of dateable evidence. Inscriptions have been found in caves 15, 21 and 31, and these have given scholars some leads.
The inscriptions of cave 31 do not give any date, but from their palaeography, they may be dated to ninth-tenth century. The inscribed Parsvanatha image on the scarp of the hill above the Jaina caves was installed by a nobleman in 1234.
Cane 15 has an illegible inscription of the time of the Rashtrakuta king, Dantidurga (about AD 733-57) and a copper-plate grant of the sme king was obtained from her. However, these do not give any information about the monuments of the region. Historically these monuments are attributed to Krishna I (about AD 757-73). But adjuncts of this temple-complex, such as the shrines of Lankesvara and the Nadidevatas, may be dated to a slightly later period.
The inscriptions on the pedestal of the bracket-figures in cave 21 are in old Kannada characters of about sixth-seventh centuries and afford indirect evidence for the history of the region under the early Chalukyas of Badami.
It is rather curious that not a shred of evidence exists for the history of the Buddhist monuments in the absence of royal patronage after the eclipse of the Vakatakas. Those responsible for the Buddhist excavations were perhaps commoners or small traders who left no record of their donations. A pillar in cave 10 has a short inscription, but it is of little use in dating the monument. The inscription in the balcony of cave 10 is the 'only inscription at all of an early date found among the Buddha caves here'. According to J. Burgess (Report on the Elura cave Temples, Archaeological survey of western India, V) it is ascribable to eighth-ninth century. This proves that the Buddhist were active in the region long after the cave was actually excavated. The style of architecture, sculpture and the stages of development of iconography provide clues to the approximate date of the monuments.
The tentative chronology of the monuments of Ellora given below is based on such a study. An overview of their general layout shows that a majority of the caves are located in separate and concentrated groups such as caves 1 to 12, 14 and 15, 16 to 19, 20 to 24, 25 to 28, 32 to 34 and the group of caves upstream from Sita ki nahani. There are large individual monuments, for instance, caves 16 and 29.
Of the twelve Buddhist excavations, Caves 1 to 10 form a definite group. Even here, caves 1 to 3 and 5 are simple and may be said to be from an earlier period. From the style of the dvarapalas and the pillars, Caves 2 and 3 appear to belong to sixth century AD, while caves 1 and 5 may have been built somewhat earlier. Cave 4 and caves 6 to 10 may be assigned to the sixth-seventh century, although cave 9 may be of a somewhat later date. Cave 10 displays distinctly post-Gupta architectural designs and sculptural details, and probably the only novel iconographic features to be see in Ellora.
The Brahmanical excavations may be divided into a number of sub-groups. Cave 12 and those situated nearby belong to sixth-seventh century as is evident from inscriptions on the bases of the bracket-figures of cave 12 and the style of its façade and pillars. Caves 14, 17 to 19, 25 to 27 and 29 may belong to seventh century. The style of the pillars and sculptures of 29 seem to anticipate those of the Elephant caves. Cave 15 was excavated after caves 11 and 12. On the basis of the seated Buddha-like figures carved on a frieze above the first row of pillars of the second storey, it is said that cave 15 was originally intended to be a Buddhist excavation, but was subsequently appropriated by the Brahmanists. An inscription dating to the reign of the Rashtrakuta king, Dantidurga, and the style of sculpture of this cave are sufficient proof to date the major part of the work of the cave to the early half of eighth century.
Cave 16 displays architectural features belonging to two or three phases. While the main temple belongs to the middle of eighth century, the Nadidevata shrine, the Lankesvara and the gallery of icons in the rear may be assigned to-eighth-ninth century.
Cave 30 is perhaps the earliest of the Jaina caves and may be dated to the first half of ninth century cave 32 seems to be either contemporaneous with or slightly later than cave 30. Cave 33 closely follows cave 32 and may be dated to ninth-tenth century. The other minor excavations of this group belong to a much later period.
Ellora, also called Verul and Elura ia the corrupted form of the ancient name Elapura. The group of canes at Ellora, in Maharashtra which include 'a few largest, most varied and finest examples of the three religions- Buddhism, Hinduism and Jainism, is of absorbing interest both to the student and the connoisseur of architecture, sculpture and painting. The wealth of sculptures here is both of aesthetic interest as well as of iconographic importance. It was probably the incredible scenic beauty of the place which induced the Jainas of ancient times to name the hill on which the caves are excavated as Charanadri, that is, the hill of Charanas, the denizens of celestial regions.
Ellora is about 29 kms to the north-west of Aurangabad on the Manmad-Kacheguda section of the central Railway and can be reached by a good motorable road from there. It is about 5 kms from Khuldabad. The world famous Buddhist caves of Ajanta are 105 kms from Aurangabad. There is a regular bus-service between Aurangabad and Ellora and taxis are easily available from Aurangabad for journeys to and fro. Visitors to the monuments can stay in the guest house and Travellers' Bungalow at Khuldabad and in the Travellers' Bungalow at Ellora village. Accommodation has to be reserved by previous application to the collector, Local engineer or executive engineer, public works department, Aurangabad. Visitors can also stay at the guest house by previous arrangement with the keeper of the guest house. It is advised that visitors carry torches for examining the sculptures and paintings in the dark interior of the monuments.
Photographs of the caves and sculptures can be obtained from the superintending Archaeologist, Archaeological survey of India, Aurangabad circle. Aurangabad or from the director general of Archaeology in India, Janpath Road, New Delhi-110011. Picture postcards of select items of caves are available in the booking office near cave 16.
The caves of Ellora run approximately in the north-south direction for almost 2 kms. At the southern end are twelve Buddhist caves while in the north are six Jaina caves. In between lie seventeen Brahmanical caves. Apart from these there are the unnumbered caves of the Ganesa-lena group and the Jagesvari group, several of which have local names. The caves are described in an order commencing with the Buddhist caves at the southern end. Visitors who cannot see all the monuments should see at least Caves 6, 10, 11, 12, 14, 15, 16, 21, 29, 30, 30A, 31, 32, 33, 34 and the Siva-Ghrishnesvara temple in the village. The present structure of the temple of Siva-Ghrishnesvara was built in the late seventeenth century by Ahilyabai Holkar.
|The Ganesa-lena group||79|
|Malik Amber's tomb||89|
|Excavations at Ellora||90|
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Libros > Historia > World Heritage Series- Ellora
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